Dance Down Under – Strictly Irish?

Irish dance in Australia is incredibly vibrant at the moment, with 99 approved Irish step dance schools and untold informal Irish dance classes and events that include céilí dance, set dance and sean nós dance.Australia is hosting an inaugural International Oireachtas at the end of May this year.

A 10-part TG4 TV series following Australian Irish step dancing champions in their bid to get to Ireland for the World Championships in 2011 – Damhsha Down Under– has been recently released to YouTube by TG Spraoi (say SPREE, which means to play or have fun!).

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GET A RHYTHM…when you’ve got the shoes!

It was ten years ago now in 2004 that I went to my very first Irish dance workshop to learn the sean nós or old-style of Irish dancing from Kathleen McGlynn. Kathleen has an inclusive  and encouraging approach to teaching and she put everyone at their ease – as much as you could have with about 50 of us keen learners crammed into the smallest space imaginable at the venue An Grianán in Co.Louth (the workshops have since been moved to bigger venues).

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Grace, rhythm and a little bit of craic – still part of Irish dance?

I love trawling YouTube for Irish dancing of all different styles, and I find myself going back to the older recordings – not that long ago, but not contemporary.

They have a grace and class that I don’t see in newer recordings – even in most of my own, I have to confess. RTE, the Irish national broadcaster, did a lot of filming of Irish traditional music, dance and song in the late 60s’ through to the 1980’s and produced some wonderful stuff. Most of the best of these recordings are available in the “Come West Along The Road” series of DVDs.

I understand the need to update, move and change with the times to inject new influences and trends into Irish dance but a lot of what I see seems to be a move backwards from what was. In Irish set dancing, the trend to play faster and faster music means that the nuances of the tunes are lost, and the rhythm and flow of the dance is completely overtaken by tempo-not nice to dance to really.

In Irish step dancing, it’s hard not to laugh out loud (LOL) at some of the get-up- the bouffant hair matched with the bouffant dresses – a real distraction from the dance itself. The amazing athleticism and skill of  the dancers is impressive – it must take a huge amount of time and commitment to be able to pull off some of those moves, and that is a truly admirable quality.

But mostly, I am left cold watching these performances, as the experience seems lacking in joy and spirit, the music is like wallpaper – just background, and not integral to the rhythm and meaning of the dance. Perhaps I am expecting too much?

As I write, I have just seen a nice bit of updated Irish dancing (to Michael Jackson music)  that has much of what I am talking about – rhythm, graceful dance and looks like they are enjoying themselves!

So there is hope. What we  had once we could have back again, and even better, if we tried and took a bit more thought and care with the beautiful Irish tradition.

An áit a bhuil do chroí is ann a thabharfas do chosa thú.

Your feet will bring you to where your heart is.

 

Nora Stewart
Irish Bliss
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Irish dance shoes: Well-heeled and well-travelled

Now that I am able to wear shoes again, I was looking at all my footwear for dancing and thinking about the progression of how they came to me and why I love them all.

The oldest in my collection by a country mile are my very traditional Australian RM Williams horse riding boots. Beautifully made with leather soles and elastic sides, they are the most comfortable boots you’ll find anywhere. I bought these off a friend (second-hand/ foot) for $20 when I was 13 years old and they are well over 30 years old (so am I!). Extremely well-travelled boots, coming to Ireland with me and back again, they have been re-soled and repaired many times since then and I gave them an outing in my first film “Sean-nOZ”.
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My first set dancing shoes I bought in 1999 from the Talbot Dance Centre in Dublin – black lace-ups with leather soles and hollow, plastic heels.   There are three screws in the base of heel and these make a tappy, tinny little sound. I was pleased with them: they made me feel part of the crowd. Those are now retired, hanging up in my cupboard with holey soles from 5 years  and more of constant use. I bought another pair in 2005 from the same place, lovely people, and they are still going strong.

It was about that time that I got interested in doing sean nós dancing and I started to really look at the difference between mens shoes and ladies shoes, and notDSCN2258iced the effect it has on dancing style. It seemed to me that mens shoes were flatter and wider, and much better for the batter!  The shoes are wider and the soles are quite often thicker and heavier than ladies shoes, giving better sound and stability, particularly if you want to dance more on the back of your heels, rather than on your toes or balls of your feet. Have you ever noticed that?

So, I decided to try it out and I got lucky – very, very lucky. I found a gorgeous pair of MaxMara brown Italian leather lace-up shoes (right) in a second-hand shop here in Australia for $6.  They are narrow fitting – perfect for my feet but they have a very wide, heavy sole that gives a good sound, and I think they look great, too. They were initially a bit tight, so I filled them with wet newspaper and wore them a bit while they were wet… you know, we do a few mad things for our dance passion!

The greatest compliment I got was when I turned up to the céilí at Mullaghbouy, Co.Louth end June 2012, and met up my lovely friend, John Joe Brannigan (his daughter Fidelma dances, too). We had both done the sean nós dancing class in Hilltown in early 2004 with Alison Heatley, and we always met up for at least one or two dances together every year I came back to Ireland. He took a great shine to my brown Italian shoes and I offered to swap with him. So, there were were, little (him) and large (me) doing the Clare Lancers together, dancing in each other’s shoes. I promised I would put them in my will to him!

Since then, I have found numerous pairs of Italian leather shoes – second-hand – and my current favorites are black, flat heeled and buckled Santorini shoes. They are a little bit too big but a thicker pair of socks has fixed that! More about this here

So right now, it’s pouring outside now, so I am going to exchange my dance shoes for gumboots, put another log on the fire and keep warm.

An áit a bhuil do chroí is ann a thabharfas do chosa thú.
Your feet will bring you to where your heart is.

 

Nora Stewart
Irish Bliss

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Irish dance: The heel of the reel

Stone Henge in Bywong

Stone Henge in Bywong, Australia winter morning

You don’t realise how important your feet are until you are injured and can’t get about. Fortunately, mine is not permanent and my burn is heeling(!) well with the help of regular applications of aloe vera, growing conveniently in our North-facing sunroom. I have been unable to wear anything but very loose slippers for nearly 3 weeks now but in the last few days, going without slippers, socks or bandage has allowed the air to help the skin to grow back quickly. Thankfully, it’s warm inside the house while we have had some absolutely freezing days here in Bywong (see photo), with -6⁰C on Thursday and something similar when I was up at the crack of dawn on Saturday. Continue reading

Best foot forward!

Home in the snow

Our home in winter here in Australia

Woke early this chilly winter morning in the bush, the sky is that very pale and deep blue on the horizon with snow threatening, forecast confirmed by the knowing birdsong of magpies.
Can’t dance today because I am recovering from a very badly scalded right foot- result of dropping a kettle of boiling water nearly 2 weeks ago and the healing has been slow. However, it’s coming good with the help of a regular covering of honey – Martin’s honey- and I am confident it will be good as new.

Then I can get on with practicing “The Priest & His Boots”, a gorgeous little old-style jig that I tried to learn from Celine Tubridy all those years ago in Ireland but without success.  Frustrating because I couldn’t follow what she was doing but also I didn’t have the skills developed for the basic moves that would have helped make it easier, like doing the shuffles.

But now with the help of YouTube and technology to slow it down, I’ve been watching her husband Michael dance it  beautifully with Maureen Culleton, really inspired to see such gentle, elegant dancing from people of an age where many are not advancing, but retiring.
I’ve been using the Amazing Slowdowner software to slow down a jig by Mary Macnamara to about 80% of it’s speed, and broken the dance into five parts. I don’t have each move exactly right yet but that will come with practice, when my foot gets better – I hope!
See you soon – dancing at home.

21 July 2013
Nora Stewart
Irish Bliss
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