Sean nós (say shan-nose) means old style in Irish, and I have often wondered just how old old really is. The very first time I remember seeing Irish sean nós dancing was in early 1989 at my very first Irish set dancing weekend in Donegal Town, Co.Donegal. The snow was all aflutter outside the big windows of the hotel ballroom and three auld fellas shuffled along, “doing a bit of shtep” during the céilí -that’s how I recall it. It was relaxed, simple, very rhythmic and obviously, memorable.
Picking up the thread from my last post Irish dance history: A contrary tale: Part 2 , I have been exploring more about the potential roots of Irish sean nós heritage, which it seems, may possibly originate from North Africa. Bob Quinn, in his 1981 documentary series The Atlanteans, illustrates his theory that dwellers on the West Coast of Ireland, particularly in Connemara, are not Celts but what he terms “Atlanteans”. They are ancient descendants of sea-faring people from Algeria and Morocco- the Berbers – who travelled all along the Atlantic coastline – West along Spain, Portugal, Basque country, Brittany in France and then North -West to Ireland – settled in parts and continued using the sea as a big super highway, that was much safer than travelling across land.
I found the evidence presented in the documentary compelling and curious, with potential multiple connections between ancient Irish and Berber civilisations starting with traditional singing, dancing & music, musical instruments including the Irish drum bodhrán which has a double in the Berber bandir, sailing boats – Galway Hookers with púcán sails & Felucca with lateen sails, stone circles, standing stones and carvings in similar contexts in both countries, art and fine jewellery pieces thought to be Celtic have an eery resonance in the Berber style, and on it goes.